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The Writing.Com members below are accepting review requests and ready to review your item! Peruse the list, check out members' review styles and request a review from anyone who seems like a good fit for your item.
Disclaimer: I am not good at remembering to do requested reviews. Often I have busy things going on with work and my own novels, so sorry if I decline or don't remember to do a review in the short time given. Just a warning.
When I review: Long. Depending on the type of story and reason for review I tend to get anywhere from 4,000 characters to on the rare occasion over 10,000.
I will make overall comments, technical points and even offer sources when necessary but a lot is dependent on what I'm reviewing. I can even do a full edit but that's take a lot of niceness and time.
I try to imagine I've just taken a seat in the waiting room at a doctor's office and picked up a magazine to pass the time. Suddenly - what's this? - I stumble upon your little work of art. As a result of reading your story, either I will 1) I like it so much I MUST have it, so I stuff the magazine down the front of my shirt and hope the doctor isn't checking my heartbeat today, or 2) Become so nauseated at the ineptitude displayed by your chicken scratches that I will beg the doctor to consider me for an emergency euthanasia. Chances are it will be somewhere in the middle.
Casual for the most part. I will point out errors I see and offer suggested corrections. I like to focus on the content and formatting of the item. I love providing helpful comments and feedback that may improve the item if acted on.
Casual, friendly. I'll point out typos when I see them and make suggestions about quality, characters and logic, besides telling you how I feel about the piece.
I will say what I liked about your piece and if I have any suggestions for improvement. My reviews are usually short, sweet and to the point. I prefer to review short stories but will look at poetry if asked to.
Hi! I'll be happy to tell you what I like about your item's content and what emotion it evokes in me. If I see an area or two that need attention by way of improvement, I'll make suggestions for you. I will try to word my reviews in such a way that might garner you more views for the item when seen on the public reviewing page and here, in my reviewing forum. I will always do my best to carry on the Simply Positive motto.
Unsentimental. I focus on the kinds of craft issues that will keep a writer from being taken seriously and prevent them from fully expressing their vision.
For more information, see "Writing Hurts: Review Forum"
I have a form I use for reviews. I look for a Goal, Motivation, Conflict and Resolution. It also allows me to tell what I liked and what I thinks needs improving. In my reviews I may make suggestions by adding my take on what the author is trying to say. Purely a suggestion to take or leave as needed.
I'll review your stuff if you want. Don't expect anything amazing though. I'm really just some random. Sometimes, though, you want to know how the randos will react.
I've spent hours upon hours upon hours editing my own work and others. I tend to review in that same mode with the goal of offering suggestions and possible improvements. I give positives/negatives and details.
I have a review template that is only used for in depth reviews, usually those that are specifically requested. These will be as comprehensive as I can manage, including everything I have noticed in reading the piece. Most of my reviews, however, are more in the nature of reactions to the piece with brief notes on things I find particularly good and suggestions on dealing with any obvious flaws in the writing.
Brutally honest, but fair. I will give my impressions of the main points: Plot, character, setting, dialog.
Then I will get into grammar, spelling, and typos.
I will tell you what works, and what doesn't.
As far as the star ratings go, I don't rely on them too much, but use them as a measure of an item's relative merit. Take it for what it's worth. Bottom line, my goal is to help the author improve their work.
I dissect stories like a surgeon with a poet’s hands—probing the emotional marrow, not just the bones. My reviews prioritize thematic resonance, psychological authenticity, and prose that feels before it explains. I’ll ask why the rain in your story smells like regret, or how the silence between lovers becomes its own character. Technical critiques (pacing, grammar) come only if requested—I’m here to unravel why your story haunts, not just how it functions.
I like to always pick out the positive points in a piece, even if overall I am not enamoured by it.
I tend to point out grammatical and spelling errors.
I will be honest, but not unkind
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